치유될 수 없는 상흔에 관한 고발: 영화 「5일의 마중」 속 미세흔적들

초록

The movie “Coming Home” is a dramatized version of the novel “Lu fan Yanshi(陸 犯焉識)”. In the process of rewriting a film, most of the complex narrative or cruel scenes in the novel have been deleted or purified. For this reason, critics say that the movie did not capture the political and historical nature of the original novel, or that the movie limited the social problems drawn in the novel to the family. The director left a trace evidence in the place where the rich narrative disappeared. In the process of changing to a movie, the humor code inserted in the movie made the subject lighter. This is for the fun of commercial films. At the same time, it stems from the know-how that Chinese intellectuals have learned over time. This paper is about trace evidence found in the film “Coming Home.” For a fair discussion, realistic consideration of the current censorship situation in China must be pre-condensed.

키워드