형이상학과 감각 : 한용운 시에서의 감각의 위상

초록

The characteristics of poets, revolutionaries, and Zen priests are integrated into the world of Han Yong-un, and a high-degree metaphysics appears in it. Then, how the logic that connects literature, reality, and Buddhist world can be made? The logic that a silence becomes a song and a separation becomes a meeting is explained as the metaphysics of Zen Buddhism or the language of paradox. By the way, there are a world of intense senses and a language of senses in the inside of metaphysics. Although Han Yong-un was aware of the limits of the language, he also made attempts to express the world of truth through the language at the same time. The sensual language becomes a tool to challenge the limits of Bulipmunja (不立文字). A lot of sensual images appear in <Silence of Lover>. Particularly, the scene of separation is composed of impressive and intense images. The world of senses hidden inside silence appears as a strong power that changes a silence into a song. However, these sensual images are not fixed. They constantly change in response to the changing world. In addition, they have a linguistic adventure to approach the truth. The song, footprint, embroidery, etc. are the solid images obtained in this process. In the inside of the metaphysical world of Han Yong-un, there was a sensual language that vividly recreates and changes reality. This makes the whole triangle communicate and at the same time shows the status of his poetry.

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