한류 로맨스 드라마 캐릭터와 재자가인(才子佳人) 비교연구 : <태양의 후예> 캐릭터를 중심으로

초록

This study is interested in the charming characters of Korean TV romance drama, which has been popular in China, and the characters of narrative tradition familiar to Chinese people. I compared four characters of the male and female characters in the The Descendants of the Sun to the figures of characters in the Chinese novels about talented men and beautiful women(Caizijiaren novels). The scope of the study of Caizijiaren is based on the character figure of the novelist who has the genre type established in the Qing Dynasty of China. As necessary, the qualities of the patrons of the previous era were also applied to the debate. The Descendants of the Sun introduces the romance of the male and female protagonist and the male and * This Work Was Supported By The Ministry Of Education Of The Republic Of Korea And The National Research Foundation Of Korea (Nrf-2017S1A5B5A01025553). 43 female assistants side by side so that the two couples are confronted with each other's values and occupations, and the conflicts form a three-dimensional relationship. The male and female protagonists have changed the motif of the novel. In the case of the male and female supporting characters, the prototype of the novel is faithfully reproduced. The Jiaren changed the composition superior to the Caizi and set up the male and female characters Yoo Se-jin and Kang Mo-yeon on equal footing. All of Caizijiaren is a noble status, and drama has established sympathy for viewers by setting the main character as a common family member who can be seen in the surrounding area. In male and female supporting, overcoming Cinderella composition, woman is strong and man is weak. The appearance of a tough modern Jiaren appears to female characters. Caizi reveals the ideal values of the patriotic soldiers and reproduces the customary white horse prince of the romance drama by the action of the superhero. Through this study, it was confirmed that the relationship between drama characters is dynamically implemented in terms of representation and transformation of the figure of self. It is expected that this study will be provided as a clue to recognize the importance of the internal factors of the successful drama contents to the drama creative subjects in the broadcasting environment of the rapidly changing Korean TV drama.

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