활자본 가사집 『호접몽(胡蝶夢)』의 출판과 그 의미
Publication and Significance of the Printed Gasa Collection Hojepmong (胡蝶夢)

초록

This paper introduces Hojepmong (胡蝶夢) (1965), a printed collection of Korean classical songs that has remained relatively unknown in academic circles, and examines its distinctive characteristics. Published in April 1965 by Taedong Munhwasa in Daegu, Hojepmong is a single-volume book measuring 13 cm × 19 cm. The cover features an ink illustration of flowers and butterflies, with a woman gazing at them. The collection comprises eight gasa (lyrical songs), one sijo, and the Gyeonggi folk song (japga) <Changbutaryeong>, totaling ten works. The primary purpose of the publication was commercial profit, as evidenced by various cost-cutting measures found throughout the book. Notably, most of the included works center on female characters, suggesting that the book was primarily compiled for a female readership. This focus distinguishes Hojepmong from other contemporary printed gasa collections published in the Daegu-Gyeongbuk region.

키워드

Hojepmong胡蝶夢the Printed Gasa CollectionDaegu-Gyeongbuk regionwomancommercial purpose『호접몽』활자본 가사집여성대구 경북 지역상업 출판
제목
활자본 가사집 『호접몽(胡蝶夢)』의 출판과 그 의미
제목 (타언어)
Publication and Significance of the Printed Gasa Collection Hojepmong (胡蝶夢)
저자
신성환
DOI
10.15822/skllr.2025.53.1.97
발행일
2025-03
저널명
어문연구(語文硏究)
53
1
페이지
97 ~ 134