공무도하가의 만가적 성격–『니혼쇼키』의 가요와 비교를 중심으로–

초록

In this paper, I research and compare the ancient Chinese poetries and “Nihon Shoki.” Through the research and study, I was able to find out common points between them. I also apply these commonness on the ancient Korean poetry “Kongmudohaga” and study about its poetic aspects by inductive method. As a result, I figure out some commonnesses among Korean, Chinese, and Japanese ancient poets;First, all authors are singing lament for death of third persons. Second, the contents of songs are about deep grief for people who cannot come back. These results also support the view of “Kongmudohaga” as the first lyric song in Korea. As “Nihon Shoki” was affected by Chinese poetries and succeeded to the songs of “Manyoshu,” then the later lamentations, “Kongmudohaga” is the beginning of lyric poetries, and its several features were transmitted to later lyric poetries such as 「Jemangmega(제망매가;祭亡妹歌)」or 「Toijangga;도이장가(悼二將歌)」. There are not only common points but also differences between “Nihon Shoki” and “Kongmudohaga.” However, these differences are understandable points as developed unique flavors based on same Chinese poetries.

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