허난설헌 한시의 중국 수용 양상과 미적 특질 고찰

초록

Heo Nanseolheon(許蘭雪軒, 1563~1589) is the best female writer and female poet of the Choseon dynasty. As a representative figure of women's literature during the Choseon dynasty, it has been constantly discussed as a research subject. Although she lived an unfortunate life in the late 16th century, she created excellent Chinese poems and left her name forever in the history of Korean Chinese literature. Research on Heo Nanseolheon has been discussed largely in two ways so far. One was a study on feminism, such as the illumination of the literary achievements of female poets representing Choseon, and furthermore, the subject and orientation of women. And the other was to analyze and introduce Heo Nanseolheon's poems through the review of poetry data related to text.These preceding studies related to Heo Nanseolheon find the reason why her Chinese poems were popular in China, is because of the high literary nature of her poems. The delicate descriptions and novel metaphors, comparable to those of male writers, were once the envy of male writers of the Choseon Dynasty. Previous studies have concluded that her literature has the aesthetic characteristics of the prosperous Tang dynasty. She was a person of the same period as ‘Latter Seven Poets’ of Ming dynasty, and ‘Three Tang Dynasty Poets’, and her poetry inevitably developed a tendency to imitate. This paper will review the background of 뺷Nanseolheonsi(蘭雪軒詩)뺸 in China and various literary collections containing references related to this, and to re-examine the reason why her Chinese poems were popular in China from the perspective of ‘Korean wave’. Furthermore, with the concept of ‘Stream of Consciousness’, to look into Nanseolheon's Chinese poems. The keywords of her poems are aesthetic values such as ideals, desires, subjects, and freedoms. This paper aims at Nanseolheon's interior monologue and free association, to deal with the unique and independent desires of a female writer, the ego-splitting of women as intellectuals, and the problem of group unconsciousness through a psychological approach to inner and spiritual world of the poetic speaker.Interior monologue is a method of expressing one's feelings, which can be captured in her lyric and affection poems. Meanwhile the techniques of ‘Stream of Consciousness’ such as free association, Stream of thought and sensory impression mainly appear in epic poems. In fact, Nanseolheon's poem used a lot of narrative style. This method also shows the psychological change process of the poetic speaker, and can be approached through ego-splitting and group unconsciousness. These kinds of interior monologues, free association, and sensory impressions can also be found in Nanseolheon's Chinese poems. It can be seen that the ‘Stream of Consciousness’ functioned constantly to enhance the literary nature of the work by existing as an aesthetic characteristic of her Chinese poetry.

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