2030세대 이용자들의 딥페이크(Deepfake) 기술 경험에 대한 사례연구: 벤야민의 기술복제, 정치의 심미화 및 예술의 정치화 사유를 중심으로

초록

The purpose of this study is to analyze the positive and negative aspects of the deepfake technology experience of users in their 20s and 30s, and to explore the possibility of practicing the politicization of art to overcome the problems of technology reproduction. To this end, as a theoretical discussion, the discussions of the “Aura transformation” derived from Walter Benjamin’s discussion of the decline of the aura were reviewed, and the issues of the deepfake case were explored based on the aestheticization of politics and the reasons for politicization of art. By applying the case analysis method, the aestheticization of politics through the experience of deepfake technology of the study participants and the politicization of art through entertainment were analyzed. Technological experience appeared as production and use experience, and examples of the aestheticization of politics appeared through false information, reliability, social and ethical issues, and commercial deception. The case of politicization of art through entertainment was reviewed in terms of active use, reliability recovery, and ethical and institutional development. The significance of this study is to create an opportunity for public debate to seek a positive use of deepfake technology by approaching deepfake technology experience and recognition cases.

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