Presence of Absence and Painting as a Synesthetic Experience

초록

In this era in which we live, reality is connected to the unknown and inexpressible, welcoming the desire for virtuality. In this paper, in light of the modern/postmodern world, we discuss the criticism of modern reproduction and the context of the absence of postmodernism in contemporary painting, and develop it into a virtual experience. We will find out how minimal art preempted the synesthetic experience through Donald Judd's work, and discuss the space-time experience through David Hockney’s photo collages. What matters now is the experience. Looking at the phenomenon that constantly returns despite the question of the existence value of painting, what is important is not the distinction of media, but whether or not the medium can be experienced synesthetically.

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