시(詩)와 무용 Effort의 구성요소를 접목한 무용 작품 <호수에 빠진 혀>의 분석에 관한 연구 -자넷 애드쉐드의 분석방법을 중심으로-

초록

The purpose of this study is to expand the aesthetic approach and interpretation horizon of dance works by applying Janet Adshead's analysis method to analyze the dance work <Tongue in the Lake> which combines the elements of poetry and dance effort. Through literature research, the historical and artistic background of the interrelationship between poetry and dance was identified, and the analysis of dance works was divided into three stages, referring to the dance analysis method in Janet Adshead's Theory and Practice of Dance Analysis (1996). The analysis process is divided into three stages: Each step-by-step approach combines composition, form, and interpretive techniques with the components of poetry, and designs and analyzes methods and criteria for analysis, focusing on the form of movement. As a result, it was discovered that the language of poetry, images and metaphors, rhythms and rhymes, structure and form can be expressed in various forms in dance works, and that the aesthetic value of the work can be enhanced by combining elements such as flow, weight, time, and space in dance works. It is hoped that this research will contribute to the improvement of the aesthetic value and status of dance art by deepening the understanding of the aesthetic value and interpretation of dance works and exploring various aspects of artistic expression.

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