판소리의 탈맥락화와 문화혼종 : 이날치 밴드의 <범 내려온다>를 중심으로

초록

The Leenalchi Band's Tiger Is Coming sent out fresh shock waves to everyone. This piece characterized by the harmony of the rock band's funky rhythmsand the singer's distinctive voice created a completely different genre of artfrom traditional Pansori. This study set out to analyze the new art tried byLeenalchi from the perspective of cultural hybridity. The words of the piece,which accepted the Pansori work Sugungga, create new meanings throughdecontextualization in the narrative development of the original story. Uniqueexpressions focused on the tiger's act and appearance and the destructionof semantic relations represent counter discourses to traditional art includingseriousness, narrative contexts, and probability. Leenalchi pursues music that is alternative pop with no meanings forregulations and boundaries. Leenalchi rearranges Tiger Is Coming withPansori-style pop music deviant from the grammar of Pansori genre by incorporating the traditional art Pansori into rock music. The connection andrearrangement of “traditional culture and popular Western culture” and “Gukakand Western music” created a new hybrid art featuring the coexistence ofheterogeneous cultural elements. Leenalchi makes Pansori penetrate popularmusic focused on Western music, thus causing cultural hybridity. Leenalchi'snew attempt can be called a genre reform through cultural hybridity ratherthan the modernization of Pansori. The creative convergence of heterogeneousgenres and diverse cultural elements creates new meanings.

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