1970년대 한국영화에 나타나는 여성 노동자의 계급적 상상력

초록

1970s’ Korean cinema constantly fought with business depression and ‘qualitative decline’. So 1970s’ cinema made a reproduction of same imaginations, which were imprinted to subordinate workers and youths who come up to Seoul for finding a work, around non-first-run theater. Therefore, the relationship with ‘1970s’ labor’ and ‘genre imagination’ is very important to enter into the substance of comtemporary Korean cinema. Especially I focused on the particular group of female workers. For a long time, women activity was limited to private sphere. But in the term of light industrial society female labor was necessary to make good the shortage of male labor, thus public discourse and ideology on women were newly established. On the other hand, as a way of organizing her to the useful working class, 'female sexuality' was controlled by society. Consequently, 1970s' female workers of the youth internalized and forged the special identity both of woman and worker in the contradiction between own her feminity and the social discourse. Likewise for I give shape to how 1970s' female workers imagine themselves as a particular class, I will search on the oral life history about the comtemporary female worker's reality. And I will look for them the methods of imagery, composition of discourse in the then journal article. Although these is not close to real life of them, at least I will suggest for how to imagine them with the wider public. Futhermore I trace to the mode of representation of female workers in 1970s’ Korean cinema, and ultimately the mode of interaction between filmic representation and real identity of them. To achieve this, I target at the melodrama genre in 1970s’ Korean cinema.

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