다큐멘터리 재현양식 연구: <워낭소리>와 <택시 블루스>를 중심으로

초록

A documentary film describes people or events being in the world. People or events in the documentary have existed without such a description unlike people or events in the fiction film. To represent things in the world depends on artificial devices different from things in their nature. Because of it, things described are always both an indication and a distortion of things in the world. I try to analyse and in terms of representational mode. Both films try to negotiate confliction between the real and its representation with mixed representational mode. it produced a huge success of in box office and critical debates on . Although it is not sufficient to explain all the issues related to both films by analysis of their representational mode, I believe it can hint its success and failure of each film regarding such a negotiation and enrich discourses on documentary film-making in Korean soil. With Bill nichols's categorization, I will analyse both films' representational mode, and its effect on the real and its representation, and the audience.

키워드