1950년대 김수영 시의 공간 인식과 후각의 관련성

초록

This paper examines Kim Soo-young's poems in the 1950s by focusing on the relationship between space and olfactory sense. For that reason, the study examines poems about space for memorialize histories and smell of losses, like 'Dirty Incense Burner', 'Office', and 'National Library'. Kim Soo-young who was born in the colonial era wandered from places to place and finally began creative activities after the liberation of South Korea from Japan as he returned to his homeland. After he went through the Korean War, Kim Soo-young published a number of poems in the 1950s from the experience of having worked in the culture desk of magazine and newspaper publishing companies. In the 1960, Kim Soo-young published a series of poems and essays on poetry that criticize the revolution and reality as he experienced the April Revolution and the May 16 Military Coup. The places that appear in Kim's poems are in a close relationship with various aspects of the modern history of South Korea that Kim lived through. Currently, studies on the spatial perception of Kim's poems are under active progress. Space is a product of sense based on the bounds of living that is actually realized. The modern scopic regime refers to the socio-cultural structuralization of a space, which is caused by the physical allocation that the action of watching applies. In general, scopic regime has been regarded as the only opinion that looks at a subject in correct perspective. However, a problem of controlling senses occurs. When someone enters a certain place, such as bookstore, coffee shop, restaurant, library, room, garden, or street, the person is overtaken by the smell of the space. It can be perceived even before the person properly understands the identity of the place. This paper examined how image about smell is embodied in Kim Soo-young's poems in the 1950s and discussed about the characteristics of olfactory sense, which is used by Kim as a means of sharply perceiving the places.

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