1950∼60년대 신무용의 전개 양상 연구 - 개천예술제를 중심으로 -

초록

The beginning of this study began with the attention of the 1950s and 1960s, when the form of the new era was assumed to have undergone various changes since the Japanese occupation and has begun to be pursued in earnest. However, if the Shinmu Yong is defined as 'stage Korean dancing', it can be seen that this is also performed by traditional prostitutes such as Han Seong - joon as well as dancer artists such as Choi Seung - hee and. In other words, it has been continued for some time since the liberation from Japan during the Japanese occupation period. It can be found in the image of Han Young Sook, a pupil and granddaughter of Han Sung - joon and some traditional prostitutes who worked with him. Traditional artists have gradually become less active in dance since the 1960s, when the intangible cultural property system was enacted and designated as cultural assets in the field of traditional music. Therefore, it can be said that until the 1960s, traditional arts artists carried out the new business. In this paper, I set up the research subject as the Gwangcheon art festival, and I can confirm the aspect of the contemporary duties of the dancers and traditional artists. In this study, I will try to illuminate one aspect of the New Year 's festival in the 1950' s and 60 '

키워드