윤이상의 <알토 플루트 독주를 위한 ‘살로모’> 작품분석 및 연주법 제안

초록

The purpose of this study is to analyze the musical characteristics and alto flute performance techniques in Isang Yun’s Salomo, in order to support f lute performers and educators who wish to perform or teach this piece. To this end, the study first explores the background and musical features of Salome, then analyzes the characteristics and performance techniques of the alto flute as demonstrated in the piece, and finally proposes effective performance techniques based on this analysis. The conclusions drawn from this study are as follows. First, Salome is considered a representative work that expresses Eastern philosophical thought through Western instruments and musical idioms―an essential trait of Isang Yun’s musical style. It is a piece with great potential for use in the realization of Eastern timbres, instruction in extended techniques, and music education centered on artistic philosophy. Second, Salome goes beyond being a mere solo piece; it is a work that deeply explores the expressive possibilities of the alto flute and is composed in a way that pro vides audiences with an immersible listening experience. Third, as a so lo piece for alto flute, Salome is a highly challenging work that demands both contemporary performance techniques and interpretative skills from the performer. In order to perform the piece effectively, it is essential to understand the unique characteristics of the alto flute, practice extended techniques in a step-by-step manner and undergo a sequential training process that leads to the musical interpretation of the piece.

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