영화 <패왕별희> 속 중국 전통 희곡 요소의 융합과 응용에 관한 연구

초록

This study, using "Farewell My Concubine" as a case study, conducts an in-depth analysis of the innovative integration of Chinese opera elements with modern film art, exploring how this integration not only enhances the artistic expression of the film but also promotes the inheritance of traditional culture. Since the birth of China"s first film, "Dingjun Mountain," in 1905, opera films have become a unique genre in Chinese film art. "Farewell My Concubine," by combining Peking Opera art with modern film technology, not only showcases a cross-cultural artistic form but also profoundly reveals the value and significance of Peking Opera in social changes. This study demonstrates, through the analysis of opera costumes, recitations, facial makeup, and musical instrument applications in the film, how traditional cultural elements endow the film with profound cultural connotations and aesthetic values, while allowing the audience to deeply experience the charm of traditional culture. It provides valuable references and insights for the integration of traditional cultural inheritance and modern media in different cultural backgrounds.

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