점령 초기 쇼와 천황의 시각적 변신— 맥아더 방문과 ‘인간선언’, 그리고 사진

초록

Under the allied occupation, the status of Shōwa emperor changed from a god to a human being, from an absolute political monarch and supreme commander to the Symbol Emperor. This transformation of Hirohito, led by GHQ with US government’s delegation, was realized on visual dimension, too. Hirohito’s visual metamorphosis was epitomized in the ‘emperor’s new clothes’. The new image of the Shōwa emperor in suit with a felt hat replaced his old image as generalissimo, and heavily contributed to hiding his war responsibilities. The photograph of Hirohito and MacArthur, though a reminder of the pains of the war defeat and a symbol of emperor’s fall from grace, also launched the production and distribution of the images of the emperor clad in new clothes. In that photograph, the Shōwa emperor was no more a living god. He was a victim suffering from the defeat of war, and a partner of US power separated from the Japanese militarists. With the ‘Humanity Declaration’ of Shōwa emperor, Ministry of the Imperial Household began to produce and distribute the photographs of the humanized emperor and imperial family. Those pictures presented Shōwa emperor not as a man of war, but as a model family man to the American public as well as to the Japanese people.

키워드

photographyJapanese EmperorHirohitoMacArthurHumanity Declaration사진천황히로히토맥아더인간선언
제목
점령 초기 쇼와 천황의 시각적 변신— 맥아더 방문과 ‘인간선언’, 그리고 사진
저자
주은우
발행일
2016-12
저널명
사회와역사(구 한국사회사학회논문집)
112
페이지
313 ~ 345