황진이와 마상란의 애정시 고찰

초록

This study focuses on the love poems of Hwang Jin-i and Ma Sang-ran among Korean and Chinese female Ginyeo. Accordingly, we examined how the temporal homogeneity of the 16th century and the spatial heterogeneity of Joseon and Ming, respectively, are contained in the literature of the two. Hwang Jin-i and Ma Sang-ran were both female Gisaengs who were active in the 16th century, but the trajectory of life showed a slightly different pattern, confirming that this was reflected in literary works. To begin with, Hwang Jin-i sang about her anxious feelings before the breakup and the loneliness after the breakup with her own technique. In the poem <어저 내 일이여>, he showed that he chose to actively part ways rather than part ways, in the poem <詠半月>, the lonely examination after the breakup was embodied through a unique and original metaphor, and in <相思夢>, he recited his longing for him through dreams. In <別金慶元>, he revealed his fear of changing his mind through a witty metaphor. In <冬日留別>, Ma Sang-ran embodied his separation from Lim through a harmonious description of time and space, and in <囑使者還楚>, he appealed to Lim, who left, in a letter to come back, and <夏日懷補軒張四四首>, only knows the news and expresses the desperate situation of not meeting Lim in tears by leaning on the railing. In <懷人>, unusually for Ginyeo's work, he sang about his desire to marry Lim and stay with her for the rest of his life.

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