중국과 한국의 K-POP 방송영상의 카메라 워크 스펙트럼 분석 패턴 비교 연구

초록

There is more diverse aspect of direction according to the Korean Wave contents manufacturer's creativity, culture, and art emotion and it has an effect on the new and varied program productions. However, it is hard to find the preceding researches about the qualitative effect on Korean Wave compared to the quantitative contents expansion of Korean Wave. Especially, there are lack of examples on detailed Korean wave contents of comparison and analysis. Therefore, our research tries to compare and analyze the same size and representative concert video of both Korean and China. We analyze and compare video of K-POP idol groups between SBS Awards Festival and Hunan TV's New Year Concert and want to find the differences and comparabilities. On the methods of video analysis, we set the 8 shots of figure's ratio and 7 camera works of camera movements. We present 4 examples of videos analyzed by shots and camera works and convert into a percentage. In order to express diversities of the shots and camera works in time order, we present the video as color patterns of them. On that results, we find that Korean video shows not to quick switch on shots and uses many long shots by cranes. Also it has full shots and long full shots to show the whole scenes. Otherwise, Chinese video presents complex shots of switches. As a result, if the audience watch the video, they can fall into confusion. And it uses full shots and waist shots a lot. Compared to Korean contents, China video has a lack of closeup shot, therefore it is considered relatively insufficient figure's details. Throughout our research, we try to help the way of production and shooting on Korea and China concert video and discuss future plans. Also, through continuous researches on the color patterns analysis of video, we expect the future concert video editing style and help to acquire the new technique.

키워드