러시아 문화산업 정책의 현황과 과제

초록

This paper examines and analyzes the various policies that have been enacted and implemented for the support and development of the cultural industry in Russia in the post-Soviet period. At the same time, we examine how the concepts of ‘culture’ and ‘cultural industry’ work differently in the Western European cultural scene and in the traditional Russian way of thinking. Through this, we would like to examine the concept of ‘culture’ that has developed in Russia, and analyze how it has had an impact on the development of its cultural industry. To this end, we will focus on a series of phenomena that reveal the present status of the Russian cultural industry that is currently in a state of transition. It has become a very noticeable phenomenon, especially in the 21st century, to transfer the perspective on culture from the field of fine arts and creativity to the field of industry and economy, and from the field of enjoyment to the field of investment. In this article, we will analyze the changed situations in which various cultural performers in Russia find themselves due to the change in perspectives on culture arising from the related policies and laws. In addition, we will focus on the process of creating new perspectives and demands on ‘cultural capital investment’ and ‘art sponsorship’. As a concrete example of the status of the Russian cultural industry, we will analyze the case of an ‘art platform’ imitating the Western style of ‘culture clusters’, and clarify the differentiation points in the Russian cultural industry. Through this series of works on the current status of the Russian cultural industry, and the related cultural policies in Russia that have developed in a somewhat different way from the West, we will review the issues that need to be addressed for the proper development of the Russian cultural industry in future, and also evaluate the prospects of this industry.

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