남ㆍ북한 영산회상 분장구조 비교 고찰

초록

The primary purpose of this study is to reveal the similarities and differences between the South and North Korean Yeongsanhoesang by comparing the structure of movement and rhythm of the thirteen songs. More specifically, various forms of Yeongsanhoesang and their classification,contents, musical instruments used are analysed. To analyse South Korean Yeongsanhoesang, previously published music books and personally possessed data have been examined while to analyse North Korean Yeongsanhoesang, National Instrument Ensemble Yeongsanhohesang (written by Park Ik-su, published by Pyongyang Art Education Publisher in 1992) has been examined. Consequently, the study results are summarized as followings. First, North Korean Yeongsanhoesang is divided into three kinds: mingan-ryeongsan, dosi-ryeongsan, gungjung-ryeongsan, and they are usually played for dance accompaniment, talchum (masked dance) and parade. Among those three kinds, dosi-ryeongsan can be classified as the same category as South Korean Yeongsanhoesang. Second, the organization of musical instrument of North Korean Yeongsanhoesang is distinguished from that of South Korean Yeongsanhoesang in that high note daegum, jangasenap, North Korean jing, jujaegeum, and Korean mandolin are used. And this difference is considered to suggest some musical changes. Third, North Korean Yeongsanhoesang includes unique beat such as 18/♪, 15/♪, 2/♩,9/♪beat, which are barely used in South Korean Yeongsanhoesang. And the separation of movement in North Korean Yeongsanhoesang is quite different from that in South Korean Yeongsanhoesang. Fourth, in terms of tempo, samhyeon whanip, yeombul hwanip, taryeong and gunak have no difference between the two; gyemun whanip, yangchung whanip, and wujo whanip are almost same except that 1 to 2 tempo is added or removed;other songs (episodes of Yeongsanhoesang) show a marked difference between the two. Finally, North Korean Yeongsanhoesang doesn’t include Pungryu Gutgeori, which is embodied in South Korean mingan-Pungryu. This study focuses on analysing the structure of movement of South andNorth Korean Yeongsanhoesang; therefore it is not sufficient for musical and melodical analysis. the study of the latter will be conducted in future research.

키워드