삼공잽이 장단의 구성과 연행자의 인식

초록

This paper, based on Samgongjebi rhythm, Muak rhythm, in the East Coast, investigates the composition of 3 rhythms-Jiokga-yeombul, Yukja and Samgongjebi and their differences; and then studies the directly-opposed perceptions between the performers and the true nature of rhythm. This paper aims to correct the problems regarding Samgongjebi rhythm and Jiokga-yeombul appeared in the precedent studies, due to the directly-opposed perceptions between the performers; and investigate the causes for the confusion between the performers. Thus, the sound source recorded in the place of performance was transcribed; the compositions of each rhythm were compared to each other; and then the true nature was approached through the interview with performers. Samgongjebi is named because Jing is struck three times. And, Samgongjebi is accompaniment rhythm for Ggot-norae, Deung-norae, and Chorongdeung-norae. Samgongjebi is rhythm composed in 2 movements in total; in the first movement, ♩.×8 beats Muga and interlude take turns with, and in the second movement, (♩.+♩.)×2 beats Muga and interlude take turns. Exceptionally, in the first movement of Deung-norae, ♩.×12 beats Muga and ♩.×8 beats interlude take turns, and Jing appears in beat 1, 3 and 5. Jiokga-yeombul consisting 3 movements, whose name of rhythm is not passed down, is an individual rhythm which has distinction from Samgongjebi in the aspect of the composition of the movements and the strokes of Jing. The first movement is played in (♩.+♩.+♩)×12 beats, 16 beats or 20 beats; the interlude is evenly played in (♩.+♩.+♩)×8 beats. In the second movement, ♩.×8 beats Muga and interlude take turns, and the third movement is the same as the second movement of Samgongjebi in the musical aspect. The first movement of Jiokga-yeombul and the strokes of Jing in the second movement is 4 times and appear in beat 1,3,5 and 6 of the interlude. Yukja is rhythm consisting of 3 movements, and used in case Ggot-norae and Baet-norae are played in long Muga. It is used in Oneun-baetnorae of current Ogugut. In the first movement, (♩.+♩.+♩)×12 beats Muga and interlude take turns, and in the second movement, ♩.×8 beats Muga and interlude are repeated. The third movement is the same as the second movement of Samgongjebi in the musical aspect, and the strokes of Jing in the first and the second movement is two times, appearing in beat 1 and 3. The confusion about these three rhythms are caused by the confusion between rhythm and Jiokga-yeombul or Yukja, and the confusion between Yukja rhythm and Samgongjebi or Jiokga-yeombul. The cause of this confusion can be found in structure of ♩.×8 (♩×12)-(♩.+♩.)×2 identically contained in these 3 rhythms and the performers perceive this as ‘Jungmori’ - ‘Gutguri type’.

키워드