포스트휴먼의 대상 인식과 디지털 아트－포스트휴먼의 정체성을 중심으로－

초록

Discourse regarding the development of artificial intelligence in the era of the 4th industrial revolution continues to refer to new humans. In general, we call this new human ”posthuman.” Posthumans can be said to be humans perfectly adapted to accepting information through images and media. This article examines how they might perceive objects, and reviews various posthuman discourses currently being raised in an attempt to discuss digital art. Digital art occupies an important position in the discourse on posthumans because it constitutes an important step in understanding the way humans perceive objects in the 4th industrial revolution. First, posthuman is not a bodily concept but refers to a kind of orientation. A certain process is required to reach the posthuman whose beginning is the human being . Just as the result of evolution is human, posthumans should be viewed as the result of human evolution. However, this process takes place in a very short time, and not through natural evolution but through technological advances. As the human body has not yet undergone dramatic changes to become a cyborg, from the current human perspective, we have no choice but to discuss. When the transition from human to posthuman is understood as a process rather than a disconnected transition, the posthuman exists as a type of discourse rather than a complete reality, and the discussion of the next generation of humans reduces to a kind of topological dimension, not the opposing camp logics of utopia and dystopia. This article attempts to clarify the posthuman identity by examining various discourses related to it.

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