프로조디 분석을 통한 기녀 시조의 가락 고찰

초록

This study aimed to look at the informal rhythms that flow non-periodically throughout the work, reflecting the individuality of each poet, not the formal rhythms based on the stereotype of the founder. The study of the interstitial verse seems to have focused on this, and the results were very meaningful. However, excessive immersion in the stereotypes of sijo may overlook the special and individual rhythms that are embedded inside. Prosody, which is distributed based on certain rules throughout the work, is influenced by creating poetic meaning and forming its atmosphere. At this very point, we can capture the atypical rhythm of Sijo. Therefore, we analyzed the prosody by paying attention to the place where the emphasis is placed in the work, considering the poetic context, syntactic history, and the subject and the object of the act. H. Meschonnic’s newly proposed prosody analysis methodology is expected to be a valid methodology to approach the rhythm of poetry on a different level from the existing method through an analysis of prosody, which affects the formation of the dominant atmosphere of the poem in the lower stream of the work. Based on this premise, the analysis was conducted on the works of five sijo, which are representative Ginyeo-sijo, and the parts that have been dealt with poorly or need to be modified in this paper are to be supplemented through follow-up research.

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