‘최승희 탄생 100주년 기념 <전설의 무희> 음반’을 통해서 본 최옥삼 작곡의 무용음악 속 가야금 활용양상

초록

This study purposes to examine the use of the gayageum in the dance music composed by Choi Ok-sam in CDs 1 and 2 of Legendary Dancer: The Artistic World of Choi Seung-hee. The findings of the study are as follows: The works actively utilizing the gayageum in their composition are Sanjo Dance, Towel Dance, Rhythm and Dance, Dancer in the Mural, and Crane Dance.The gayageum melodies were transcribed based on the audio recordings. The music of Sanjo Dance, Towel Dance, and Rhythm and Dance features melodies based on pentatonic scales such as the gye-myeon-jo, similar to gayageum sanjo, and actively in corporates traditional playing techniques such as the malbalgup (horse hoof) and jipneun (pressing) techniques. In Dancer in the Mural and Crane Dance, modern playing techniques, such as chords and glissandos, similar to those used on the contemporary 25-string gayageum, were utilized to effectively accompany the main melody through rhythm or depict the thematic scenes of the dance. This study sheds light on the dance music composed by Choi Ok-sam in collaboration with the ethnic dancer Choi Seung-hee and hopes to contribute to a deeper understanding of the artistic worlds of both artists.

키워드