기표와 기의의 관계에서 드러나는 의미의 전략에 관한 연구 - 자의성과 필연성을 중심으로

초록

Focusing on the arbitrary of signs, this paper examines the effect of the combination and separation of signifier and signified on determining the meaning by the subject, and examines one of aspects of the character of sign. The discussion of immutability and mutability centered on the arbitrariness of language signs reveals the contradictory nature of the relationship between the signifier and the signified. Due to the structure, the subject has no choice but to accept the sign in which the signifier and signified are perfectly combined. Therefore, the subject cannot help but be alienated from this structure. When moving from structure to the concept of structuring, the way in which the subject structures signification matters. To explain this, we took as an example the scene in which punctum and studium, the concepts proposed by R. Barthes, are mixed up in the signification of photography. Arbitrary in the field of art can be used as a strategy, and Warhol’s works demonstrate this well. H. Lefebvre’s discussion shows that the separated signifier and signified can be more self-evident than the sign, and expressionism and cubism enrich the meaning of the work with the strategy of destroying the unity of the signifier and signified.

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