문래동 예술촌의 공공예술 실천에 대한 연구: 아도르노의 미메시스(Mimesis)와 벤야민의 ‘적극적 동반자’ 개념을 중심으로

초록

The purpose of this study is to investigate public art in Mullae art Village based on Adorno’sMimesis and explore a wide range of possibilities of new genre of public art. This study foundout the new possibility of not only artist network, but also networks of local villagers and ironfactory workers, and considered in-depth analysis of new genre public art in Mullae art villagefocusing on their active participations in art programs. By analyzing the artists’ stories throughinterviews, low-cost rental accommodation brought a influx of artists into the village, and theyformed their artist networks working by themselves. At this point, this could be judged a criticalphenomenon in accordance with Adorno’s mimesis. However, by external pressures such asgovernment policies for setting up Mullae Art factory or downtown redevelopment, artists soughtindependent role in Mullae-dong and doing active public art programs grounded on mimesis. Artistswere seeking a way to cope with the economy mechanism doing new genre of public art basedon mimesis, and found out the possibility of formation of relationships with local residents andiron factory workers. This study was seemed to suggest the direction of new genre of public artthrough Mullae art village case, and considers new political measure plans for culture and art policy.

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