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무인시조의 프로조디와 가락 고찰
초록
H. Meschonnic's newly proposed prosody is a definition that dictates the consonant and vowel organization of language and its affiliates, which is entirely at odds with the views traditionally understood by separating speech and meaning. Thus, in literature, Prosody has a conceptual status that contributes to the semantic process rather than something incidental. This study utilizes these prosody analysis methodologies to examine how prosody influences the tunes of unmanned prosody. The melody through prosody analysis is at a different level from that of sijo as an orthodox poem, which can be seen as contributing to a clearer shape of the theme of the work or to create an atmosphere. In the original book, the number of poems created by the fighters was reviewed and the number of poems directly related to the life as a warrior was set at 73 among them. They selected five leading writers and analyzed the prosody of their sijo. As a result, unlike the sijo built by writers, ginyeo, and middle-aged guests, prosodies, which have the properties of rupture, parchal, and friction, often appear in a series, especially in high proportion of strong sounds and strong sounds, or in shape. The reason why we often get a completely different feeling from Gang-ho-Ga-do's works or ginyeo is the appearance of the unique prosody of unmanned prosody and the amorphous tunes formed by it.
키워드
- 제목
- 무인시조의 프로조디와 가락 고찰
- 제목 (타언어)
- A Study on the Prosody and the rhythm of the Warrior-sijo
- 저자
- 김성문
- 발행일
- 2021-04
- 저널명
- 다문화콘텐츠연구
- 권
- 36
- 페이지
- 215 ~ 241
- 언어
- KOR
- 출판사
- 중앙대학교 문화콘텐츠기술연구원
- 발행국가
- 대한민국
- 분량
- 27 페이지
- ISSN
- P 2092-5042