和歌における投影美

초록

This dissertation researched about Waka which is singing the beauty of reflections on water, written when Kokinshu was published. There are two main streams of study about the beauty of reflection. One is Kino Tsurayuki’s sense of beauty, one of editors of Kokinshu, mostly from his poetry of folding screens. The other is, not only Tsurayuki, but most poets in that era generally have this sense of beauty singing the beauty of reflection. To clarify these two perspective, this research examined poetry of folding screens from Kokinshu. As a result, the fact that the latter perspective is more reasonable has been found. In addition, period of beginning of the beauty of reflection is also researched which was not referred in the former study. While some Waka in Manyoshu also sings about the reflection on water, it is not about the beauty of reflections on the water, but it just refer to that water is clear and so reflects objects. To sum up, the beauty of reflection is not found in Manyoshou, but it has been began from Kokinshu. This sense of beauty is not limited to Tsurayuki, but very general sense of beauty for poets of those days.

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