‘흥(興)’과 ‘신(神)’의 의미 확장과 위진남북조시대 ‘문(文)’의 자각

초록

The public display of nudity is appreciated only after a rigorous discourse and consensus that shifts social perception to see it as beautiful rather than shameful for its nakedness. In Northeast Asia, the phenomenon of differentiating paintings that simply represent the external world versus paintings that embody the internal consciousness of the artist’s gaze of the external world came about only after the emergence of a discourse that saw language as a cultural form and system to understand the truth of lives, as observed in the 17th century Western European art discourse. This text examines the expanding meaning of Xing (興) and Shen (神), which was the driving force that led to the Wen (文) self-awareness of the Wei-Jin period in Northeast Asia, which is evident in the emergence of the newfound discourse around poetry, painting, and writing.

키워드