동시대 장애예술 공연에 나타난 수행성(Performativity) -｢시선｣과 ｢젠틀 유니콘｣을 중심으로-

초록

This study applies the concepts of “eventness” and “phenomenological body”, proposed by EricaFisher-Richte in her theory of aesthetics of performance. Using the study concepts it analyzes twoglobally active disabled choreographers’ dances; Jo Bannon’s Exposure (2011) and Chiara Bersani’sGentle Unicorn (2017).In Exposure, Bannon emphasized the eventuality of the performance in a way that explored the multilayeredmeaning of “seeing” on the premise of physical co-presence with the audience, based on hisalbism-related disabilities. Bersani, on the other hand, in Gentle Unicorn, revealed the phenomenologicalspecificity inherent in the disabled body as well as the body’s potential to liberate the existing concept ofdisability.

키워드