디지털 특수효과 영상의 타블로 효과

초록

As a moving image, cinema is based on photography. So it has been regarded as the art of index. However, due to the development of digital technology, film is no longer only seen from a photo-realistic perspective. On the contrary, the pictorial characteristics of the cinema have come to the spotlight. The concept that helps us understand the pictorial nature of the cinema is the tableau. Tableau, which means a flat picture, features frontality and stillness. Therefore, when the essential nature of a film is motion, the tableau has been considered the anti-filmic. As a result, it did not receive much attention in film aesthetics, but rather was considered an object of overcoming it. But the film is based on the conflict and contradictions between movement and still. In that sense, painting is another repressed ego of the film and uncanny. Many modernist film, whose aesthetic characteristics include slow movement and stillness, used the tableau as a means of self-reflection in the process of exploring time. However, in these modernistic films, the tableau showed a contradiction between stop and motion, frontality and depth. As a result, films of this time identified the hybrid nature of the itself. On the other hand, when it comes to digital films, the tableau tends to emphasize the more pictorial tableau, depending on technology. The tableau deviates from being assimilated into a mise-en-scene, technical processing such as cinematography and composition is prominent. Above all the tableau image have a rich volume. In addition, the relationship between motion and stop tends to resolve differences between the two. In this regard, the tableau effect seen in recent digital cinema is not just about highlighting the pictorial characteristics. It is attempting to move on to new moving image.

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