한국 영부인 의상의 디자인 유형과 미적 특성

초록

This study considers types of design expression and examines aesthetic characteristics by analyzing imagesshown on clothes worn by Korean First Ladies. This study is to accumulate a fundamental database forthe effective style coordination for images of First Ladies and future directions of clothing design. The typesof design expression on the clothes of Korean First Ladies are as follows. First, in terms of silhouette, H lineand A line is generally represented on the silhouette of clothes; in addition, the H line is highly expressedon the silhouette. The keyword of images by design types are generally feminine, elegant on the silhouetteof First Ladies' clothing, and represented a progressively more modernized image on the silhouette. Second,in terms of color, it is expressed diverse images on the color of First Ladies' clothing, and exceptionally thetendency of elegant image is highly charged on the color of clothes. This sort of tendency is influenced bythe preferences of First Ladies; subsequently, most First Ladies wear their clothes with a high brightnessand chroma. Third, in terms of materials, the image of elegant and simple is highly expressed through FirstLadies' clothes and it is caused by choosing the clothes of a plain texture rather than a visible and fancyone. The aesthetic characteristics based on an analysis of the types of design expression on the clothes ofKorean First Ladies are as follows. First, ‘femininity’ on First Ladies' clothes is expressed by A line silhouetteof a feminine curve and decorative effects. Second, ‘simplicity’ on First Ladies' clothes is expressed onthe H line silhouette of a straight figure or through the solid colors of high chroma. Third, ‘elegance’ onFirst Ladies' clothes is represented on the silhouette of a restrained curve, long skirt hemlines, and woolenfabric with a neat, warm and soft coordination of colors. Forth, ‘traditionality’ on First Ladies' clothes isexpressed through the application of materials and colors that influence culture, traditions, and detailed decorativeness

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