와카의 언어적 연쇄성에 관하여-｢むすぶ手の~｣・｢月やあらぬ~｣를 중심으로-

초록

This study examined two poems from Kokinshu written by Tsurayuki and Narihira. In his book Korai Huteisho and Uta-awase, Shunzei assessed Tsurayuki’s ｢Musubu Teno~(むすぶ手の～)｣ and Narihira’s ｢Tsukiya Aranu~(月やあらぬ～)｣, as the best poems by emphasizing importance of Keiki and a using of series of words. Tsurayuki and Narihira have different styles, therefore they tried to describe different worldview of poetry. In spite of the difference in their styles, they have common ground which makes their works would be selected as the best poems in Kokinshu. Through this point, the researcher examined and researched the common ground of two writers. As a result of research, three characteristics—using a series of words seeking Shunzei’s aesthetic ideal, a series of contents which is derived from the series of words, and a plentiful reflection of Keiki as entire background—were acknowledged.

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