『데이카십체(定家十体)』의 가체 수용연구 - 유현체(幽玄体)와 우신체(有心体)를 중심으로 -

초록

Since the Heian period, there has been scattered evidence of attempts to classify Waka and their values. To explain the implications of each of the poem types, this study will classify nine or ten types of poems. Some of the poem types in this study are known as: Waka, Kinto, Tadamine and Tosiyori among others. Teika, a representative poet during the middle ages, also attempted to classify waka. This paper aims to investigate how the shape of the poems written by Teika Jittei and Sangoki have changed and been handed down over time. Yugentei indicates that Love songs account for the majority of subject matters, according to an analysis on the major shape of poems. This is in marked contrast to Teika’s essay on Waka poems, which pursue solitude and the esoteric world. In contrast, Sangoki’s is based on sensibilities, such as watching an attractive harlot’s appearance. The defined indication by Sinke includes a rather cold and lonely feeling. The evaluated subjects of Yugen’s songs are rooted in Teika’s ten shapes of poems. One of characteristics for Usintei is shown by Teika’s false book, which defined Omosirok’s shape of poems as almost the same as the context of reminiscence. Exposing one’s situations or agony is illustrated by the content of Saigyo’s songs In this manner, this paper finds different perspectives on the same shape of poems depending on the stream of time or the situations that the poets were in. However, the classification method for ten shapes of poems is still found with a similar attitude and mindset. However, it still finds the same attitude toward

키워드