장자(莊子)와 선(禪)사상에 나타난 도(道)의 예술정신

  • 양태근
  • 김비오렛

초록

Zhuāngzǐ (莊子) and Chán(禪) thought pursue ‘Dao(道)’ to the ultimate. ‘Dao(道)’ is a kind of artistic sprit and implies abundant aesthetic principle. The artistic spirit of the East is closely related to Dao, the ultimate stage of life, and the essence of Dao is exposed obviously in Zhuāngzǐ and Chán thought. Regardless of any genre, art is expressed in concrete form, action and language, but the form, action and language have its own ‘symbol’ and ‘meaning’. The ‘symbol’ needs to have the artistic spirit to be given artistic value. The artistic spirit of the East is finally concluded to ‘Tao’. So we need to understand Zhuāngzǐ of Taoism and Chán of Buddhism to comprehend Oriental art in depth. In this paper the writer examined the state or mental world of ‘Dao’ to understand Oriental art in depth and tried to figure out the artistic spirit in Zhuāngzǐ and Chán. To attain this end, first the writer made clear the meaning of ‘Dao’ in Zhuāngzǐ and Chán with reference to Oriental art. And the writer analyzed the common point and difference of artistic spirit in Zhuāngzǐ and Chán.

키워드

ZhuāngzǐChánestheticsartistic spiritDao장자선(禪)사상미학예술정신도(道)
제목
장자(莊子)와 선(禪)사상에 나타난 도(道)의 예술정신
저자
양태근김비오렛
DOI
10.15841/kspew..89.201809.37
발행일
2018
저널명
동서철학연구
89
페이지
37 ~ 61