풍자적 관점에서 바라본 마기 마랭 작품에 관한 연구- ｢Cinderella｣, ｢Groosland｣, ｢Coppe´lia｣를 중심으로 -

초록

The purpose of this research is to analyze how re-interpreted ballet works of Maguy Marin with her own language and imagination deviating from stereotypical form were influenced by satire. Prior to the analyzation, notions and traits of satire were defined referring to preceding thesis and related books. The study reviews the three pieces of Maguy Marin : Cinderella(1987) , Groosland(1989) , Coppélia(1993) . Cinderella satirizes characters and their humanities. Groosland plays an important role in society as it gives audiences with chances to think about the real social problems. Coppélia already includes satire in its story line. The subjects of satire are an ideal woman that males think of and the curiosity as a result of scientific development. From the results, it is possible to find out how satire expresses and influences the performing arts pieces, consequently, making it possible to provide various choreographic methods to choreographers.

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