트라클의 후기시 ｢뇌우｣의 형식과 구조 연구

초록

The following three facts can be derived by intensively analyzing Thunderstorm in the late poetry of the expressionist poet Georg Trakl. First, the landscape drawn in Thunderstorm is an objective environment outside the subject and the inside of the subject. This is the basic installation principle of Trakl's lyricism. The mountain landscape of Innsbruck viewed by Trakl is a landscape of the soul re-edited through Trakl's inner despair and pain. Second, the poetic form of Thunderstorm is not just a container for content, it is an essential element that constitutes the meaning of the work. Formal features such as mixing of various ancient rhymes, collision of feminine and masculine cadenzas, enjambement, abbreviation, exclamation, inscription, polyptoton, and asyndeton contribute to the auditory reproduction of the image of a chaotic night landscape with thunderstorms. Third, opposing elements face each other or collide, coexist or combine in a multi-layered dimension. The aesthetics of such contrasts add poetic tension to Thunderstorm.

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