디지털 전시환경에서의 관람 경험에 대한 실증적 연구

초록

This study empirically investigates the meaning of the digitally remediated experience in <Renoir, Scent of a Woman (2018)> as a form of digital surrogate, based on Technology Acceptance Model (TAM). Our findings show that DOS has a significant correlation with DOI, ITUDS, and detail factors of PU and PEOU. The study proves not only the suitability for TAM as an evaluation model for digital surrogates for remediating the originals but also the feasibility of TAM predicting users' technology acceptance in digitally remediated environment. While requiring further research, the study shows significant proofs of digital surrogate as suitable art appreciation medium which generates auratic experience and a sense of immersion, leaping its former value as a foster-learning tool.

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