당오대 채련사(採蓮詞)의 존재 양상과 그 의미

초록

This paper examines the evolution of Cailian Ci (采蓮詞) during the Tang and Five Dynasties period, arguing that these lyrics reflect key developmental shifts in Ci (詞) poetry. This evolution is divided into two distinct phases. During the High and Mid-Tang periods, Cailian Ci exhibited a transitional form between Shi (詩) and Ci. Its forms varied: some pieces retained the Yuefu (樂府) title, Cailian Qu (採蓮曲), but employed the formal structure of Ci, while others were Cailian Ci that adopted Shi forms. Collectively, these illustrate the early stage in the formation of Ci poetry. The Late Tang and Five Dynasties periods show Cailian-Ci reflecting the cultural atmosphere of Jiangnan (江南). The prevailing love motif, in particular, was significantly expanded. For instance, the Cailian-Ci written by Wen Tingyun (溫庭筠) contrasted past joy with present grief through the maiden's sorrow, consequently broadening the temporal and spatial dimensions of Ci. Furthermore, the Jiangnan landscape was transformed into a setting that mirrored human emotions. Ultimately, this study demonstrates that Cailian Ci played a crucial role in establishing the definitive features of Ci and laying the groundwork for its subsequent flourishing in the Northern Song dynasty.

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